Monday, 4 June 2012

Box Office Predictions of SHANGHAI.


After the critically acclaimed LOVE SEX AUR DHOKHA, Dibakar banerjee’s next venture ix political thriller called SHANGHAI starring Abhay Deol, Kalki Koelchin, Emraan hashmi. The film releases on 8th June. The buzz around the film is good enough, thanks to “Bharat mata ki jai” song which really gelled with audience. Lets predict what it may do at box office-

Opening Day- 4.25cr

If word of mouth is Good,

Weekend 1- 16cr

Week 1- 24.75cr

Lifetime- 46cr

If word of mouth is mixed,

Weekend 1- 15cr

Week 1- 23cr

Lifetime- 34cr

If word of mouth is bad,

Weekend 1- 14.25

Week 1- 21cr

Lifetime- 29cr

Sunday, 3 June 2012

Sanket’s Review: “Rowdy Rathore” celebrates its bizarreness!


Cast: Akshay Kumar, Sonakshi Sinha.

Director: Prabhudeva.

Length: 2.20 hours approximately.

If you are intelligent enough and if you raise your eyebrow in embarrassment at a scene where the goon bounces like dancing ball after getting hit by the hero, then I strongly advise you to sit at home and do not dare watch ROWDY RATHORE. But, if you can sideline your intelligence to watch ROWDY RATHORE then one thing is for sure- entertainment will be served! Action, comedy, romance, drama and dialogue-baazi- everything is zany and very bizarre. And ROWDY RATHORE celebrates its bizarreness without compromising a single thing if it’s about entertainment.

The jokes even though aren’t quite new but Akshay Kumar makes each one funny, and he proves his comic timing yet again. The first half has ample comic moments where you go within the feel of the film. Yes, the director throws some random portions of story in middle, but the story hardly skates ahead. The problem is the use of those two songs (Chammak Challo and tera Pyaar Teekha) which aren’t quite catchy as well brings down the momentum suddenly.

Its second half where the film has many claptrap sequences. Especially all the dialogues which finds place in second half increases the excitement. More than revenge story, it becomes episode on protagonist’s rowdiness! Its fun and fast and also supremely entertaining. In climax, just when you think that goons are finished up the director brings in more goons and expands the length. The climax isn’t bad, but it should’ve been the best part of the film, which it is not at all! Second half has two of the best songs in the album (Aa re pritam and Dhadangg). The scene just after Aa re Pritam Pyaare is the best scene of the film and one of the best scenes this year.

Sajid Wajid’s music is good. Three excellent songs (Aa re pritam, Dhadangg and Chinta tata) and two mediocre ones. The choreography definitely needs special mention. The ways the songs are choreographed are very different and refreshing. Dialogues are fabulous! Action is good, but its loud and sometimes very ordinary. Script and screenplay is something which the film gives least importance. Prabhudeva remains faithful to original version and thus successfully keeps the film high on entertainment level.

Akshay Kumar has delightful screen presence. His policemen job as well as the rowdy job is wonderfully done. Kudos! Sonakshi Sinha is good but she has very limited scope. Yashpal Sharma is very good. Everyone else does well in the film. Kareena kapoor’s presence is just WOW!

It’s a film which wants its audience to cry, laugh and get ANGRY towards goon. It do have some violent and blood-raining scenes, but then this is the hallmark of these films! Far from being perfect cinema, but it brings back fun on screen. Watch it if all you want is entertainment!

Rating- 3.5/5 (Very Good)

Thursday, 31 May 2012

Number of shows Rowdy Rathore gets- In comparison to some other contemporary films.


***Maxus Cinema: Bhayander, Mumbai Western:***



1.Ready- 21 shows
2. Bodyguard- 23 shows
3. Ra.one- 21 shows
4. Don2- 22 shows
5. Desi Boyz- 21 shows
6. Agneepath- 19 shows
7. Agent Vinod- 18 shows
8. Housefull 2- 21 shows
9. ROWDY RATHORE- 21 shows




***E-Square, Pune UR***



1.Ready- 18 shows
2. Bodyguard- 21 shows
3. Ra.One- 19 shows
4. Don2- 18 shows
5. Rockstar- 17 shows
6. Mere Brother Ki Dulhan- 16 shows
7. Agneepath- 15 shows
8. Agent Vinod- 12 shows
9. Housefull 2- 15 shows
10. ROWDY RATHORE- 12 shows



***Movietime: Raja Garden, Delhi***


1.Ready- 19 shows
2. Bodyguard- 22 shows
3. Ra,One- 20 shows
4. Don2- 21 shows
5. Desi Boyz- 22 shows
6. Mere Brother Ki Dulhan- 20 shows
7. Rockstar- 19 shows
8. Agneepath- 16 shows
9. Housefull 2- 20 shows
10. ROWDY RATHORE- 20 shows




***Big Cinemas, Solapur***



1.Ready- 7 shows
2. Bodyguard- 7 shows
3. Ra.One- 8 shows
4. Don2- 6 shows
5. Agneepath- 4 shows.
6. Housefull 2- 6 shows
7. Agent Vinod- 4 shows
8. ROWDY RATHORE- 7 shows


***Velocity, Indore***


1. Ready- 16 shows
2. Bodyguard- 17 shows
3. Ra.One- 16 shows
4. Don2- 16 shows
5. Mere Brother Ki Dulhan- 13 shows
6. Desi Boyz- 14 shows
7. Agneepath- 10 shows
8. Agent vinod- 10 shows
9. Housefull 2- 15 shows
10. ROWDY RATHORE- 15 shows

Saturday, 26 May 2012

Box office Predictions of ROWDY RATHORE


IPL is about to depart and as known a Big ticket Bollywood film is about to arrive- ROWDY RATHORE. One has immense expectations from this Akshay-Sonakshi starrer action-comedy because the music has strike the chord! It comes from Prabhu Deva who gave us a Blockbuster in WANTED in 2009. ROWDY RATHORE releases 1st June and its opening is surely to be big.


Opening day- 14.25cr


If word of mouth is Good,


Weekend 1 – 44cr


Week 1-69cr


Lifetime- 122cr


If word of mouth is mixed,


Weekend 1- 42.75cr


Week 1- 63cr


Lifetime- 90cr


If word of mouth is Bad,


Weekend 1- 41.5cr


Week 1- 55cr


Lifetime- 70cr

Wednesday, 23 May 2012

Sanket's review: "Department" is awfully bad!

Cast: Amitabh Bachchan, Rana daggubatti, Sanjay Dutt, Vijay raaz, Abhimanyu singh, Anjana Sukhani.

Director: Ram Gopal Verma

Length: 2.20 hours approximately.


Using cameras in his own ways, Ram Gopal Verma has his own elegance of directing his films. he likes to shake his scene with zany camera angles. Well, its interesting to the point but Ram Gopal Verma goes beyond zenith this time. The plot offers nothing new and the treatment is irritating, resulting in an awfully bad film. Smartness is something what DEPARTMENT should have looked for, but its dumb and silly. Some scenes, unintentionally, pushes laugh out of you.


The first half of the film is nothing less than watching a nightmare. One after the other unexciting action scenes are placed and without any glimpse of a story. Not a single sequence takes the story ahead, because the attention is kept on dialogues which Sanjay Dutt delivers with weird diction. As soon as Amitabh Bachchan makes his entry, there's some hope of something to happen, but that never happens! His opening scene is humorous but then it's simply not about the story. RGV gives you unnecessary knowledge about disguised intentions of Vijay Raaz's henchmen which adds to heights of boredom.  Also the intermission point is equally bad where Dutt and Rana shares some conversation which is far from even giving a teaser on what the second half will be. Upon that, there's couple of party dance in first half which are highly unappealing. What a terrible waste of time!


Second half has some countable good sequences, but even here the film isn't engaging because you learn that DEPARTMENT's story, for which you're waiting from the start, is very cliched and pedestrian. Double crossing, kidnapping, threatening is all what post-intermission contains. Not entirely bad, second half has couple of turns which raises some momentum but for restrictive period. But again in last 20 minutes, the film slows down and ends up with a very bad finale.


RGV's direction is poor and he manages to pull the film to 140 minutes despite of having such story and plot. For once, the film could have been at-least watchable had the director would have not messed up with the plot, because he creates too much of confusion by adding different characters. Music is poor, though, "Kammo" track is good. Not much on cinematography as there's nothing great in Mumbai which is not shown before. Dialogues are really bad and some are unintentionally funny. Also, Dutt delivers some of them in a very funny way which again makes comedy. Action scenes are nothing great because mostly are gun fights. The importance is much towards blood and gore rather than scripting and treatment!


Amitabh bachchan is the only appreciable one in the whole film. He has a good role to do, but sadly his role is very limited. Rana Daggubatti could have done a lot better especially because he has given such a sharp performance in DUM MAARO DUM. Sanjay Dutty fails miserably on all count. Vijay Raaz has some funny liners, but his role is very badly sketched. Rest all has limited scope and none of them leaves even modicum impression on viewers.

Its that kind of film where everything goes bad. It could have been a gripping fare if the story would have been well written and if GRV would have not spoiled with his poor strategy of using cameras. Watch it to challenge yourself!

Rating- 1.5/5 (Poor)

Monday, 21 May 2012

Sanket’s Review: “Ishaqzaade” connects on emotional ground.


Cast: Parineeti Chopra, Arjun Kapoor, Gauhar Khan.

Director: Habib Faisal

Length: 2.20 hours approximately.


After making a heart-warming DO DOONI CHAAR, Habib is back with another outing ISHAQZAADE which celebrates love in its own ways. While the film has very young notes and energetic atmosphere, there’s also a purpose behind the story which director serves rightly! From start to culmination there’s a brisk pace that is well driven by director and keeps the momentum always high.


Director doesn’t spend his time by giving a special episode on the two protagonists and rather he develops the story within which the two characters are defined. It is terrific writing and sharp execution which runs wheel within wheel and makes up for engaging first half. The big turn right at intermission adds too much to positives. Parineeti’s character is wonderfully quoted and you literally go with her happiness. Though the love between the two birds happens quite conventionally, but the director never pushes the film in predictable bracket.


That brings me to the second half where director throws up few turns and keeps the film raveling at feverish pace. But to enjoy the second half of the film, one must be emotionally attached to the characters and there is where ISHAQZAADE remains very good, fortunately. ISHAQZAADE connects on emotional ground and that speaks for the credibility of Habib Faisal as director. Yes, there are scenes which come quite in sudden and make some hesitation, but then these glitches are saved by the acts of the leads. The finale is the only portion which will leave you thinking! You can’t figure out if you should be happy or sad for adverse reasons.


Habib Faisal’s imagination and his vision for ISHAQZAADE surely reflect in the film. The intimate scenes are very candid and Habib does it exceptionally well. The script plays huge supportive hand for what the film is. The way the characters are shaded must be applauded. Music is superb! “Pareshaan” and the soft “Ishaqzaade” is amazing. The cinematography plays vital player in setting up the atmosphere for the film.



When one speaks of ISHAQZAADE, first name that strikes mind is the leading lady Parineeti Chopra as Zoya who delivers extra-ordinary performance. It’s a very complicated role where she has to be rebellious, stubborn, sensitive, smart and just about everything. Arjun Kapoor has fantastic screen presence and he seems very confident in each of his scene. He is here to stay! Rest everyone does very well and honestly attempts there work.



ISHAQZAADE is enjoyable ride which has smart script and interesting way of execution. A film that constantly hits you emotionally and. Its easily the best film this year. It will be your loss if you miss Ishaqzaade.


Rating- 4/5 (Excellent)

Tuesday, 15 May 2012

Good script, bad treatment!

I am naming those films which I thought had good script but failed on directional ground. The list is in no specific order.

HEROES (Samir Karnik)- If thought deeply, the script of the film was really, really interesting! The way the two guys set a trip to film a project on three different families was very innovative. But director ruined the film. First track of Salman and Preity was very good but later two were intolerable especially because they looked way too superficial and even the actors seemed very disinterested.

KITES (Anurag Basu)- Who would have dared to pen a story where the female protagonist don’t know any other language except Spanish! There was enormous passion for love (the climax says it), but Anurag Basu was not quite capable to bring it on celluloid efficiently. Also the treatment was too sober. I expected it to be fast and brisk, but it had a lazy pace.

MURDER 2 (Mohit Suri)- There were enough moments in the film where Suri tried his level best to make the film engaging, but he miserable failed because there are many scenes which are unimaginably dragged. Emraan Hashmi not believing in God was direct rip-off from his own AWAARAAPAN. The script was good because there were several turns in the film.

BADMAASH COMPANY (Parmeet Sethi)- Interesting on paper but boring on screen! I wonder why the director wasted his time Shahid Kapoor-Anupam Kher track! Also, instead of being youthful and happening the film refrained itself to filmy limits (the whole second half). The cons were written carefully and also executed well but second half was surely ailing, thanks to director’s failure.

AARAKSHAN (Prakash Jha)- Genuinely lost opportunity, I must say. I mean there were so many contrast characters in the film and Jha didn’t bother explaining a single character in detail. I mean, Amitabh Bachchan character was so complex. The film failed for me because I was not able to sympathize with the character Amitabh played. It could well be even writer’s fault but then Jha made the film repetitive post-intermission because every alternate scene was Amitabh teaching the students “Yeh toh easily done ho gaya”! If the film runs for 160 minutes I expect atleast one character that plays central role should be defined properly.

7 KHOON MAAF (Vishal Bhardwaj)- There was quite an interesting twist in last few minutes of the film, but by then I was so bored that even miracle would have not changed my perception. The problem here was that director stretched few stories to death like the John Abraham one or the one of that Russian man. Such films need to have momentum every second and the film lacked it. When it’s all about killing, the director doesn’t even show clearly the way they are killed.  

SARKAR RAJ (Ram Gopal Verma)- What a bore! RGV uses the same dark light and nails the film under that focus. Not a problem, but I wish RGV would have been more concerned about his work. To be honest, the script wasn’t an great one but at-least it had many good scenes written and also an twist in the tale (which RGV failed to keep unpredictable). Few scenes were really not necessary. King-size disappointment for me!

I will add more as I come to think of them.